While the opening credits emphasize a primary color palette, the color red is featured in particular. Through these windows, each of the main characters are introduced: lonely actor Charles-Haden Savage (Steve Martin) making eggs for someone who's no longer in his life, gregarious theater director Oliver Putnam (Martin Short) on the phone while drinking wine and solitary artist Mabel Mora (Selena Gomez) sketching. "I wanted to put her illustrations into the geometry of the windows and make them these apertures you can see through to see the isolation of the various characters and how the crime brings them together," said Bolan. "Only Murders in the Building" main titles - Woman walking her dog (Hulu) Viewers can see such details included, such as the ornate iron gates and even the bas-relief sculpture of two cherubs over the gate's archway. The fictional Arconia is shot at The Belnord in Manhattan, which provided a template for the main titles, along with other iconic Upper West Side building such as the Apthorp. Pérez's use of fluid lines, muted color palette and characters with haunted eyes capture the show's eerie beauty and themes of loneliness, all set in a bustling apartment building. " a friend of mine who came to mind because her illustration style just seemed like a beautiful modern aesthetic that would work and would feel unique," she said. Take a look at the "Only Murders in the Building" main titles below:īolan immediately pitched to have award-winning illustrator and comic artist Laura Pérez to tackle the look of the project. "When you're walking around New York City, whether it's the steam coming out of a manhole cover or how when the sun sets, you'll see a glimpse in between two buildings or a water tower shadow on the top of a building." "John really wanted to capture this romantic illustrative approach to New York, building on the magic of Hirschfeld and The New Yorker – illustrators who have abstracted New York in a way that's beautiful and also speaks to these little glimpses of magic in the urban landscape. "The brief was this idea of a love letter to New York in a way and true crime and true crime podcasts," Lisa Bolan, a creative director at Elastic, told Salon. The series, created by Steve Martin and John Hoffman, turned to Elastic, known for designing a number of opening credits, including ones for "Game of Thrones," "Watchmen" and "Captain Marvel," among others. Bookending the entire sequence is the lady walking her dog, this time in the opposite direction. Nighttime brings the three friends standing outside the front of the building, which has now become a crime scene. The camera zooms upward on its voyeuristic journey pausing at the rooftop during sunset before dipping back down to peek in on neighbors. The animated main titles opens with a woman walking her sweater-clad dog in front of the Arconia before offering glimpses of the tenants through their apartment windows. And telling a good story extends to the opening credits sequence, which captures the series' mix of comedy, mystery and the characters' sense of poignant longing. On Hulu's "Only Murders in the Building," that's the philosophy held by a trio of NYC apartment tenants who team up to solve the murder of a neighbor while simultaneously recording a podcast of their investigation. The following contains spoilers from the first season of "Only Murders in the Building," including the finale.
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In October 1961, his single "The Hellbound Train" / "Judy Lynn" was released on Epic Records (Epic #5-9479). His follow-up singles at Monument, “It Only Costs A Dime” (Monument #45-414) and “Cowpoke,” (Monument #45-427-V) received little airplay. Both versions found simultaneous success on the charts with The Browns' version reaching number one, and Flood's peaking at number 23. In 1959, he recorded a cover version of The Browns' song "The Three Bells (The Jimmy Brown Story)", which was released almost a month after The Browns' version was released ( RCA Victor #47-7555). In addition to songwriting, Flood also found success as a recording artist. In 1960–61, Flood was invited to sing almost every Saturday night for the Grand Ole Opry. While in Nashville, Flood landed a spot on the radio show Ernest Tubb Record Shop, and from there earned a spot performing on Friday Night Frolics (a Friday night spin-off of the Grand Ole Opry). His preference was for songwriting, but his work as singer and entertainer was more profitable. The Country Lads split up in 1958, and in 1959 Flood moved to Nashville to pitch his songs to the popular recording artists he had met on The Jimmy Dean Show. The Country Lads remained on the Jimmy Dean show for three years until 1958 when the show ended. In 1957 the Country Lads signed a contract with Columbia Records and released the single, “Alone In Love”/“I Won’t Beg Your Pardon” (Columbia #4-41062) and in 1958 they released the record “Anything”/”Lonely Lover” (Columbia #4-41212). Like most of the Jimmy Dean Show performers, The Country Lads participated in a USO tour of Europe and Africa. In 1956, The Country Lads were given a regular spot on The Jimmy Dean Show, which aired on CBS every weekday morning. Dean asked them to perform together, so they formed the duo The Country Lads. The Jimmy Dean Show Ī few years later, Flood and army buddy, Billy Graves, auditioned for The Jimmy Dean Show. On one occasion they performed for the Philippine president, Ramon Magsaysay. The Luzon Valley Boys played at the various military clubs on Clark Air Force Base in the Philippine Islands. During this time he also began writing songs, some of which were performed by the band. Army, Flood organized his first country music band, The Luzon Valley Boys. After the campers were in bed, he would practice guitar and perform for his fellow counselors.Ĭareer in music Military tours Īfter serving in Korea with the U.S. Richard Flood was born in Philadelphia, Pennsylvania, United States, and began playing music while working as a counselor at a YMCA summer camp in the Blue Mountains. In 1981, Flood changed his name to Okefenokee Joe, and in 1989 he hosted and narrated the Emmy award-winning documentary Swampwise on Georgia Public Broadcasting. In 1973, Flood moved to Georgia's Okefenokee Swamp and became a professional naturalist and environmentalist. In 1962, The Wilburn Brothers recorded his song "Trouble's Back in Town", which peaked at number 4 on the US Country Chart and was named Cashbox Magazine’s "Country Song of the Year". His songs have been recorded by other artists, including Roy Orbison, Anita Bryant, Billy Grammer, Kathy Linden, and The Wilburn Brothers. In 1959, Flood's cover version of " The Three Bells (The Jimmy Brown Story)" reached number 23 on the Billboard Hot 100. In the mid-1950s he was part of the duo The Country Lads and made regular appearances on CBS' The Jimmy Dean Show. Richard " Dick" Flood (Novem – January 9, 2023), also known as Okefenokee Joe, was an American country music singer-songwriter, entertainer, and environmentalist. American country music singer-songwriter (1932–2023) It makes you wonder why they bothered with the eggs at all given how fast those suckers hatch, and it does remove some of the excitement of waiting for one to hatch while you’re adventuring. One oddity is the hyper speed at which your eggs hatch while breeding though, with the entire ordeal from conception to birth often taking less than a few minutes. Breeding and fusing your critters is encouraged and experimentation never punished as you try and create better versions of your current breeds or even generate entirely new ones via some inter-species hanky panky. With the base 200 monsters ballooning out to many more with the game’s fusion mechanic (available after completing part of the story), there’s plenty of monster-breeding shenanigans to engage in. Still, there is a fantastic variety of weird and wonderful monsters to collect, and this is one of the game’s main strengths. You can also get more effective pacts for taming high level or boss monsters, so you can net yourself some strong monsters and pact almost anything. It’s also a bit of a bummer that you get no experience for pacting monsters, which was a punch to my collectathon-obsessed gut. I rarely had one turn me down, particularly if I had weakened it first. While I appreciate this method of trying to be different, it felt way too easy forming pacts with monsters most of the time. In Monster Crown you offer them a pact for them to read, and if they like you (or more specifically if your monster is a higher level and/or you’ve taken off enough of their health), they will join you. Unlike most monster sims you don’t ‘catch’ your monsters specifically once you weaken them. Additionally you can switch your monsters and if you switch multiple times in a row you can accumulate synchronicity and get a boost to your monster’s attack. The battle format is pretty standard, and you can perform attacks on the enemy monster or flee if you find yourself against a monster much stronger than yours. While you’re adventuring you can interact with wild monsters that can be seen in the overworld, and they’ll will converge on you if they’re wandering around. Gawking at the sweet pixel art aside, it wouldn’t be a monster taming RPG if there weren’t battles. The pixel art for all the monster sprites in battle are also really well done and I always looked forward to finding a new one. The game oozes nostalgia, and when paired with its nice 16-bit sound track, I felt like I was back playing games while hiding under a doona with my GameBoy Colour and trusty wormy light once again. You can choose from a number of pixel hairdos for your character which is a nice addition, plus there are lots of visually diverse landscapes that vary from lively and bright to creepy and dark. One thing Monster Crown nails is its retro pixel art style. You’ll encounter, befriend and/or tussle with multiple parties with vested interests in the island’s political scene, and in between all that you’ll also tame a monster or two (or 200). It doesn’t take long before your innocent desire to tame monsters embroils you in a sinister plot for control of the island and its inhabitants. After proving to your parents that you can look after yourself you head out into the great big wide world. You will begin the game as a teenager working on the family farm who wants to leave home and become a monster tamer, so you fill out a magazine survey in order to get sent your first monster who hopefully matches your personality. It’s also girt by a sea full of crazy powerful monsters, such that no one ventures far out on the ocean due to the very real danger of becoming sea food. Monster Crown is set on Crown Island, a land with a horrific past of bloody wars and righteous heroes. Developed by a single person, I had my fingers crossed that I’d be happy adding this one to my collection. I was intrigued by Monster Crown when I first discovered it due to its retro art style and darker themes in both its monster design and story. Monster taming games are some of my favourites as there’s lots of collecting as well as interesting stories and usually a menagerie of cute and cuddly creatures. Monster taming RPGs can either be great and unique, or appear like poor man’s imitations of the colossal Pokémon franchise that dominates the scene. 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You may also Calibrate your pedal to ensure that the KOMPLETE KONTROL software interprets the full continuous RANGE correctly. Please consult the KOMPLETE KONTROL user manual as well as your pedal's documentation for more info. The additional parameters Invert and Swap T/R allow you to further customize the assignment according to the characteristics of your expression pedal model. Click Pedal B and set the Mode to Cont (Continuous).You can find more info in the pedal's manual. If you have issues with the direction of your pedal, please use this switch. Note: Some pedals have a polarity switch which can invert or reverse the pedal's function. Click Ring and set its Number to MIDI CC# 65 (keep Type, Channel, and Mode settings the same).Click Tip and set Number to MIDI CC# 64.Please consult your sustain pedal's documentation for more info. This is important to ensure that the full VALUE range is interpreted correctly by the KOMPLETE KONTROL software. Set your pedal's connectivity type to either Tip or Ring, depending on the physical characteristics of your sustain pedal connector.Click Pedal A and set the Mode to Switch.Note: If using an A-Series or M32 keyboard, follow the steps below for Sustain or Expression, depending on which pedal you wish to configure with your keyboard. In this example, we are assigning Sustain to Pedal A and Expression to Pedal B. Read below to learn how to assign your Sustain or Expression pedal. Click on the MIDI icon at the top-right of KOMPLETE KONTROL and select the PEDALS tab.Windows: C: > Program Files > Native Instruments > Komplete Kontrol MacOS: Macintosh HD > Applications > Native Instruments > Komplete Kontrol Switch on your KOMPLETE KONTROL keyboard (or re-connect it to the computer) and launch the KOMPLETE KONTROL software in standalone mode (not in your DAW) at this location of your computer:.Note: the A-Series and M32 have only one Pedal input. 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Also, as part of its Planet Positive initiative, Starbucks recently announced a new goal to achieve Carbon Neutral Green Coffee and conserve water usage in green coffee processing by 50% by 2030.ĭuring April, Starbucks is highlighting its Planet Positive initiatives and inviting customers to participate in several ways. Starbucks vision for the future is to remain focused on connections over coffee, being a resource positive company, and creating a better future for its partners (employees) and the communities it serves.Īs Starbucks looks to the future, the company is focused on its aspirations to give more than it takes from the planet and help create a sustainable future for coffee growing communities. From the beginning, Starbucks has sought to be a different kind of company, one that inspires and nurtures the human spirit, and brings people together over coffee to create a better future. This year marks the 50 th anniversary of Starbucks. 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